Le Havre: A City Rebuilt, July 8, 2026

Le Havre is different. Unlike many of the European cities we had visited on this trip, where medieval churches and centuries-old buildings seemed to appear around every corner, much of the Le Havre we were about to see was barely 80 years old.

The city, located where the Seine River meets the English Channel, was founded in 1517 and grew into one of France’s most important ports. Much of central Le Havre, however, was destroyed by bombing during World War II. After the war, architect Auguste Perret was given the enormous task of rebuilding the city. His use of reinforced concrete, broad avenues, and carefully planned public spaces created the distinctive Le Havre of today and eventually earned the rebuilt city center recognition as a UNESCO World Heritage Site.

Le Havre was our last port before heading home, and July 8th gave us a beautiful day for exploring—sunshine, blue skies, and just enough coolness in the air to make walking comfortable. After so many interesting ports on this cruise, we were curious to see what our final stop would bring.

We left the Majestic Princess and boarded a bus that carried us from the working port into the center of the city, dropping us near the Bassin du Commerce and the unmistakable white curves of Le Volcan. It was an appropriate place to begin exploring a city where water, architecture, and rebuilding are all part of the story.

The Bassin du Commerce, once part of Le Havre’s working commercial harbor, now forms a broad stretch of water through the heart of the rebuilt city.

A large white sculptural arch standing in a calm waterway, with buildings along the riverbank and a clear blue sky.

Bassin du Commerce

There was plenty of activity on the water that morning.

A view of a calm water body featuring several small sailboats with colorful sails. In the background, there is a modern bridge with a tall, spire-like support structure and urban buildings lining the waterfront under a clear blue sky.

Bassin du Commerce with pedestrian bridge and boats

Part of Le Havre’s 2026 summer arts festival, entitled Un Ete au Havre (A Summer in Le Havre), features the monumental white form, “Icebergs,” which suggest melting polar ice and the vulnerability of coastal cities to climate change. The installation, is temporary and runs from June 27 through September 20, 2026.

A person standing on a gravel pathway, looking towards a large white arch sculpture overlooking a body of water, with buildings and a clear blue sky in the background.

JoAnn photographing Icebergs along the Bassin du Commerce

A sunny waterfront scene featuring a wooden pathway alongside a calm water body. In the background, modern buildings are visible, including a distinctive tower. People are enjoying the area, with children riding bicycles and adults interacting.

Modern architecture near Bassin du Commerce

Across from the Bassin du Commerce is Le Volcan, “The Volcano,” an unmistakable white structure designed by Brazilian architect Oscar Niemeyer and completed in 1982. Its sweeping curves seem almost playful against the straight lines and orderly concrete buildings of rebuilt Le Havre.

A modern white architectural structure resembling a curved cone, situated in an urban area with buildings and a clear blue sky in the background.

Also by the Bassin du Commerce is the monument Victoire et Paix, “Victory and Peace.” Inaugurated in 1924, the imposing monument was originally erected to commemorate the people of Le Havre who died during World War I.

A large historical monument featuring intricate sculptures of figures, set against a clear blue sky. The base includes engraved plaques and the year '1939' is visible.

Victoire et Paix

For all the concrete and modern architecture, we were also finding plenty of green along the way.

A busy urban intersection featuring several trees, direction signs, and buses parked along the side of the road, with a modern building in the background under clear blue skies.

Green space

We decided to head over to visit Saint Joseph’s Church, but more about Saint Joseph’s later.

Tall building with a cross on top, partially obscured by green trees, against a clear blue sky.

Saint Joseph’s Church

On our way, a bike shop with an interesting sign caught my eye.

A cyclist checking his phone outside a bicycle shop with a yellow bike art installation above the entrance, surrounded by various parked bicycles.

Bike shop

A coffee shop,

Exterior view of a shop named 'Aux rendez-vous' featuring a large window displaying colorful signs for various locations in Normandy. A chalkboard menu outside lists local products including cider, calvados, whisky, and beer.

Coffee shop

A store selling oysters.

Display of fresh oysters in wooden baskets at a seafood market, with prices listed. The backdrop features a blue and white design labeled 'Fine de Cancale'.

And then, almost by accident, we found ourselves in the local market. You know by now that I have difficulty walking past a good market without going inside, and this one—with its meats, vegetables, vendors and shoppers—was worth the detour.

Meat display

A butcher shop interior featuring a young worker preparing meat at a wooden table, with various tools and paperwork visible in the foreground.

Butcher

Vegetables

A street view featuring a collection of shops with colorful awnings, surrounded by potted greenery and a multi-story residential building in the background, under a clear blue sky.

Street scene in the area of the market

We gradually made our way over to Saint Joseph’s. On our way we passed near the harbor and managed to capture some photos of the area, beginning with a building with a sail boat painted on its wall.

A street view featuring a clear blue sky, with vehicles parked along the road and a building displaying a large sailboat mural.

Wall art

A marina with various boats docked, reflecting in calm water. In the background, there's a white building and a ferris wheel against a clear blue sky.

Harbor with Ferris Wheel in the background

Then we were at the church. Saint Joseph’s Church is Le Havre’s most recognizable landmark, its soaring concrete tower rising more than 350 feet above the rebuilt city. Designed by Auguste Perret after World War II, the church serves both as a place of worship and as a memorial to those who died during the destruction of Le Havre. From the outside it appears massive and austere, but inside thousands of pieces of colored glass transform the concrete tower with constantly changing light. It is a remarkable building and perhaps the best single example of how Le Havre turned the devastation of war into something powerful and beautiful.

A tall architectural structure with a distinct tower, featuring a decorative top and textured facade against a clear blue sky.

We took our time inside. I’ll let you, the reader, discover the church for yourself. Let’s start at the entrance and then just stroll around inside. Enjoy!

Exterior view of a church building featuring a prominent crucifix above wooden double doors and patterned windows.

Entrance Saint Joseph’s Church

A sculpture of a cross made from twisted branches, mounted on a textured stone wall.

Stylized crucifix above the entrance

Interior view of a modern church with a large altar at the center, featuring a floral arrangement and illuminated steps. Stained glass windows provide colorful light, and a pulpit is visible to the side.

Altar

Interior view of a church showcasing a large pipe organ at the center, flanked by colorful stained glass windows that create patterns of light on the stone walls.

Organ and stained glass windows

Interior view of a modern church with high ceilings, large concrete pillars, and colorful stained glass windows.

Interior Saint Joseph’s with green glow

A wooden statue of a saint holding a child, adorned with flowers, mounted on a stone wall, alongside a metal candle holder with lit candles featuring images of religious figures.

Saint Joseph and the Child Jesus

Interior view of a modern architectural space with high ceilings, colorful stained glass windows, and a contemporary lighting fixture.

Sanctuary

Interior view of a modern church featuring a high ceiling with colorful stained glass windows, a minimalist altar, and concrete architectural elements.

Sanctuary beneath the soaring lantern tower

A wooden statue of a figure holding a child, placed on a wall above a collection of lit candles and floral arrangements, inside a stone-walled interior.

The Virgin Mary with the Christ Child

A view looking up at the interior of a modern church with a hexagonal design, featuring colorful stained glass windows and concrete walls.

Looking up into Saint Joseph’s lantern tower

Colorful light reflections on a textured floor surface.

Light reflected on church floor

Then we were on our way to lunch. Following a little research we decided on Le Bistrot Des Halles near the market. We would have preferred an outside table under the awning, but they were all occupied so we were shown to a pleasant room inside and seated beside the windows, overlooking the street. The windows were open and the place was very comfortable.

Interior of a cozy restaurant with vintage posters on the walls, featuring two diners at a table and white tablecloths.

Interior, Le Bistrot Des Halles

The lunch menu was extensive. JoAnn chose liver and onions, and I chose sweetbreads.

An elderly woman reading a menu at a restaurant table, with several wine glasses, a fork, a knife, a napkin, and a pepper shaker visible.

JoAnn menu in hand, Le Bistrot Des Halles

Once lunch was over, we started to amble back toward the Bassin du Commerce, where our bus would take us back to the ship. Our stop was near the Hotel de Ville.

A lush park scene with large trees providing shade over a grassy area, featuring flower beds in the background and benches positioned along a pathway.

Park in the vicinity of the Hotel de Ville

View of a municipal building with flags in front, surrounded by landscaped grounds and a plaza on a clear sunny day.

Hotel de Ville

Even the residential streets offered interesting combinations of balconies, window boxes, rooftops and chimneys.

A residential area featuring two buildings, one with a modern facade and another with traditional architecture, adorned with flower boxes, under a clear blue sky.

Residential area

Then we were comfortably seated on our shuttle bus, headed back to the Majestic Princess.

From our cabin, we were able to see the beach.

A coastal view featuring a pebbled beach with people lounging and walking, backed by a hillside of various buildings and homes.

Beach as seen from our cabin

As in all ports, a pilot came on board to guide our ship back to the sea. Waiting for him, to retrieve him from our ship was a pilot boat.

Tugboat navigating through calm waters near a fuel storage facility with white tanks against a clear blue sky.

Pilot boat

On our way out of the harbor, we passed this point of land on our way back to Southampton.

A scenic view of a coastal cliff rising above the ocean with a sailboat in the water.

Sailing out of Le Havre

Le Havre was different, just as we thought when we first stepped off the bus that morning. It didn’t have the medieval streets of Ghent or Utrecht, or the old-world grandeur we had found elsewhere on this trip, but that wasn’t really the point. Le Havre had its own story—one of destruction, rebuilding, and a city continuing to live alongside the sea. As the Majestic Princess sailed toward Southampton and the sun began to set, so ended not only our day in Le Havre, but our journey through Northern Europe.

Panoramic view of a calm ocean at sunset with a cargo ship on the horizon.

Sunset, our last night at sea

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